Dr.Sureyya Seneldir Office
Dr.Sureyya Seneldir Office works from porcelain tile, walnut, and oak. A single hard, manufactured surface is set against two closely related timbers, keeping the material record narrow but with a clear contrast in finish.
Dr.Sureyya Seneldir Office works from porcelain tile, walnut, and oak. A single hard, manufactured surface is set against two closely related timbers, keeping the material record narrow but with a clear contrast in finish.
Eksim Office’s material record centres on carpet tile, oak, timber cladding, and acoustic panel — a set built almost entirely from warm, soft, and absorbent surfaces, with little of the harder stone or metal found elsewhere in the portfolio.
Esin Studio draws on oak, marble, and a carved timber screen. Stone’s coolness sits against two related timber treatments — one plain, one worked — giving the commercial palette a narrow range with a single, more decorative note.
Estamira Hotel’s palette spans limestone, marble, blackened steel, and oak. Two closely related stones anchor a cool, hard register, set against blackened steel’s darker surface and oak’s warmth as the range’s softer counterpoint.
Gebze Student Dormitory works across oak, porcelain tile, laminate, and marble. Manufactured surfaces — tile, laminate — sit alongside stone and timber, giving the material record a mixed character between engineered and natural finishes.
Hanedan Houses’ material record runs across marble, oak, and concrete — three distinct registers in a short set. Stone keeps the palette cool, oak brings warmth, and concrete adds a plainer, more structural note between them.
Adstaion Office draws on oak, carpet tile, marble, and exposed brick. Hard stone and masonry sit against softer timber and textile, giving the commercial palette a mixed, working character rather than a single dominant surface throughout its material record.
Hisartex Textile draws on oak, walnut, and porcelain tile. Two closely related timbers, one paler and one darker, sit against a single hard, manufactured surface — a narrow palette with a clear contrast in tone rather than material type.
The material record for Aydın Textile centres on marble, painted millwork, and velvet. Stone’s coolness sits against millwork’s painted finish and velvet’s texture, giving the commercial palette a deliberate contrast between hard, cool surfaces and something noticeably softer within the same set.
Walnut panelling and leather seating anchor ITO Offices in a formal, warm register, with carpet tile and marble surfaces adding texture and a cooler counterpoint. The material record moves between traditional timber warmth and harder, polished stone.